Jordan Maxwell and the Cult of the Black Cube
If you are unfamiliar with the insidious cult of Saturn-worshippers sitting at the apex of today’s global power structure, I’ll let the man who is largely responsible for the proliferation of the idea break it down for you:
In the Maxwellian school of thought, when the biblical Canaanites sacrified their children to Moloch it was Saturn Worship.
Roman historian Diodorus famously relates the rites of Carthiginian child sacrifice, presumed to be a survival of the old Canaanite blood rituals. According to Diodorus, they would sacrifice their children in the fires raging beneath an image of Cronus. Cronus is another name for Saturn, the Great God of Time who devours his own children:
Jordan Maxwell tells us the Black Cube is a control symbol routinely employed by the Cult of Saturn to bind or ‘box in’ the worlds people.
The Cube is why Christianity is symbolized by the sign of the cross; because the cross can be folded into a cube.
The chief pilgrimage site for Muslims is the Kabbah Shrine in the city of Mecca. There is a giant black cube in the center of the Kabbah, with a black stone believed to have come from a meteorite embedded in it. Worshippers walk around it in circles, looking like the rings of Saturn:
The judge in black, black mortarboards when you graduate, the Freemasonic t-square— in Jordan Maxwells paradigm, these are all ensigns of the Black Cube Cult of Saturn Worship. And who are we to disagree with Dr. Jordan Maxwell, whose linguistic deep reads were so ground-breaking that he was made an honorary member of the fucking WuTang Clan?
Esoterically, the Black Cube represents Matter itself. In the Rider-Waite tarot, the Emperor sits enthroned on a Black Cube because he is the King of the World:
I tend to believe that the Black Cube is a neutral alchemical symbol, one that pertains to the basic structure of the material world.
Recently a video titled ‘what a 4D tesseract looks like in our 3D world’ went viral; a tesseract is also called a hypercube. The Hypercube/tesseract produces the illusion of a cube- within -a -cube- within- a -cube- within -a -cube, ad infinitum. What this implies about the nature of reality is beyond the scope of our present inquery (and, in truth, entirely beyond me), but the Black Hypercube may hold the key to the magical significance of all these fucking cubes everywhere.
In the hands of Dark Magicians, any symbol may become charged with malicious intent— and investing the Black Hypercube of the 4D tesseract with a Dark Spirit might be about nothing less than opening the gates of hell on earth, infinitely refracted:
Unless…
Earth is already hell.
I’m blowing nobody’s mind, here— this has been in the back of everyone’s mind for a while now. It’s why the Emperor’s Throne is crowned by the Rams-Horns of the Trespass Offering to the wanton God of the Old Testament, and why the ground beneath the Emperor’s feet forms the sign of Omega, the last letter of the Greek Alphabet— the emblem of the sunset, the gateway, and the psychopomp. We are already confined to the iron prison of the lowest vibrational plane.
…Or is the Rider-Waite Tarot Deck more signal noise endorsed by the same dark-sided robber barons that performed the sorcery of making Tartaria vanish?
They just want us to think Earth is Hell— to make it easier for them to create Hell on Earth!!
Which brings us to game developer Squaresoft:
For this thought experiment, we taking Jordan Maxwell at face value: the cube cult is real, and exactly what he says it is: an insidious cabal of Saturn/Satan worshippers sitting at the apex of the global power structure.
It would stand to reason, then, that a popular game developer named SQUARE is one of their franchises.
What games is SQUARE responsible for? Only some of the hottest titles in the history of Japanese Role-Playing Games (JRPGs):
Now, lets take for granted that it’s also true what they say about Tartaria; Tartarian Civilization was a global phenomena, spiritually mature and more technologically advanced than we are. The Tartarians had mastered zero-point energy, levitation, and cymatic healing… only for the Black Cube Cult to bury the Tartarian Empire and its knowledge, forging a low-vibrational world from the rubble where the Black Cube Cultists could glut their demonic appetites through a global monopoly on the petrol economy.
The Black Cube Cult is composed of the usual suspects; steel magnates, oil barons, the people who took the world off the gold standard and imposed on us the fell sorcery of the petro-dollar.
Petroleum products are everywhere; plastics, medicines, industrial products, construction materials, automobiles, airplanes.
Petrol is carbon-based; and carbon has six protons, six electrons, and six neutrons.
6 6 6…. THE MARK OF THE BEAST IS THE BODY ITSELF…!
The carbon atom has four bonding sites. How convenient; a cube shape. It’s worth noting here that all life on earth is carbon-based; and when you reduce things to carbon, they turn to ash. Ash is black, meaning elemental carbon is black— and this is what I mean about the Black Cube being a neutral alchemic symbol that pertains to matter itself.
But the Black Cube Cult worships matter— and the petrol economy was created to serve the ends of base materialism. QED: the entire shape of the modern world is a 4D hypercube tesseract of anti-transcendence.
If Squaresoft has always been a propaganda arm pushing narratives favorable to the Cult of the Black Cube, how is it that one of the SQUARE JRPG’s perrenial themes is to pit players against the depradations of an Evil Empire?
Applying our ‘Surely Black Cube Cult Propaganda‘ filter to any given Squaresoft title, what insights might we glean?
Secret of Mana (1993)
The premise behind Squaresoft’s 1993 home-run Secret of Mana is the same as that of Hayao Miyizaki’s 1986 animated feature film Laputa: The Castle in the Sky: an advanced civilization with access to the high technology of magic builds a floating continent that becomes a superweapon which it uses to oppress the entire planet, turning the will of the gods against themselves and bringing about their downfall.
But their superweapon outlives them, and the power-hungry of future ages seek to put it into the service of their own ends…
At the end of Secret of Mana, the mana weapon is finally destroyed— but its destruction comes at a steep cost. The power of mana, the power of magic, the immediate force of the Living God on Earth, is sealed away forever.
The parallels to the Tartarian Reset Myth are immediately obvious, but only if you read Secret of Mana upside down and in reverse:
The Great Tartarian Empire was a global civilization that had mastered zero-point energy, cymatic healing, levitation, and other utopia-grade technologies that might as well be magic from where we are sitting.
The Moorish (or Aryan, or Giant, depending on who you are asking) Tartarian Kings reigned for over one thousand years; during that time, mana was their wine and their bread.
This great nation was dismantled by evil men and expunged from the historical record. The Napoleonic Wars, the Industrial Revolution, and the Communist Revolution were all part of a take-down and cover-up perpetrated by an insidious cult of Saturn-worshippers sitting at the apex of today’s global power structure. Their end-game was to institute the fell sorcery of the petro-dollar, by which they might make slaves of every man and woman, annihilating every creed but that of base materialism
It’s a war they won, and the power of mana was effectively ‘sealed away forever’; anytime a scientist, inventor, or revolutionary thinker gets too close to unsealing it in this age of hedonistic tyranny, they tend to commit suicide or die of cardiac arrest.
Applying the Maxwellian/Tartarian paradigm, Secret of Mana, ends up looking like Orwellian Double-speak. Audiences around the globe were celebrating the burial of Greater Tartaria, the demolition of Utopia, while rationalizing the disappearance of the magic that every child knows has always existed—
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